top of page
  • Writer's pictureHinton Magazine

WEIYIN CHEN - Couture Concert: La Belle Époque

Returning to London Fashion Week, Taiwanese-American designer and pianist Weiyin Chen captivated audiences with her Couture Concert: La Belle Époque. Held in the exquisite Ballroom at the Savile Club, this event seamlessly blended the worlds of fashion and classical music. Chen's unique approach to fashion design is deeply inspired by both the music she performs and the art of the Belle Époque era, creating a visual and auditory experience that brings history to life.


WEIYIN CHEN

This year’s collection was heavily influenced by iconic paintings from the late 19th and early 20th centuries, as well as classical music compositions. Each couture gown in the collection mirrored the themes of beauty, transformation, and creative expression characteristic of this artistic period. Pieces were inspired by works such as Van Gogh’s Starry Night and John Singer Sargent’s Madame X, with Chen interpreting each painting into a one-of-a-kind couture design. The gowns paid tribute to the art and the flourishing creativity during La Belle Époque.


In addition to the couture gowns, Chen debuted a new Ready-to-Wear line, crafted with sustainability at the forefront. Many of the ready-to-wear designs incorporated recycled materials, including fabric made from upcycled plastic bottles, while retaining the same elegance and attention to detail as her couture pieces.


The concert portion of the evening featured live performances of classical compositions by Bach, Schumann, Lili Boulanger, and Debussy, with Chen playing each piece while wearing a corresponding gown that reflected the mood and artistic significance of the music. Highlights included Schumann’s Papillons and Debussy’s Clair de Lune, with each performance offering the audience a multisensory experience of both sound and fashion.


One of the standout designs was Chen’s interpretation of Franz Xaver Winterhalter’s painting of Empress Eugénie, which embodied the regal elegance of the empress, known as the mother of haute couture. Another show-stopping moment was her reinterpretation of the back of Sargent’s Madame X dress, a fantasy creation demonstrating her ability to blend historical inspiration with modern couture.


Weiyin Chen’s Couture Concert offered a one-of-a-kind experience that celebrated the enduring influence of art and music. 

Comments


bottom of page